P.D. Soros Fellowship for New Americans

I moved to California to attend graduate school at Stanford as a Paul & Daisy Soros Fellow. That opportunity initiated a career in Silicon Valley that led me to operational roles at Google, YouTube, and various venture-backed startups. Along the way, I worked in venture capital, where I had the privilege to see some of the world’s most inspirational company founders in action.

Business theorist Howard Stevenson defines entrepreneurship as “the relentless pursuit of opportunity beyond resources controlled.” The entrepreneur, however, is best characterized not in theory, but in practice. No two entrepreneurs are alike, but in my experience, the successful ones share three common traits. First, they are motivated to solve a problem that they have either experienced directly or understand deeply. Second, they augment their capabilities, oftentimes by building a team with complementary skills. Third, they align and focus resources to solve a well-defined and critical pain point.

The following profiles showcase six Paul & Daisy Soros Fellows who lead with entrepreneurial spirit. All of these founders embody the characteristics described above. For example, Jonas Ketterle (2008 Fellow) and Paola Prestini (1999 Fellow) draw direct inspiration for their ventures from their personal family stories. Zahir Dossa (2010 Fellow) complemented his skill set with the marketing know-how of another Fellow to brand his company. Connie Chen (2008 Fellow), Andrei Cherny (2000 Fellow), and Steph Speirs (2015 Fellow) are laser-focused on solving fundamental problems in health care delivery, personal finance, and the solar industry.

Transformative startup leaders imagine the world as they would like it, and then bring others along. Here are six Paul & Daisy Soros Fellows who are doing just that.  

Introduction by Luis Garcia (2000 Fellow), startup operator in San Francisco

Firefly Chocolate

Founded by Jonas Ketterle (2008 Fellow)

obsession with learning. When his family arrived in the United States, the plan was for a temporary stay, while Jonas’s father completed a postdoc. But as a foreigner in a new country, his father found opportunities to pursue his interests that led the family to place its roots down permanently.

“That’s something that’s really been reflected in my own path—working on things I’m passionate about,” Jonas says.

His mother influenced him, too, through her “environmentalist bend,” Jonas recalls. When she saw that Jonas’s elementary school didn’t recycle and used Styrofoam trays, she encouraged him to organize in an effort to change the policy. He remembers it as “training to see that just because it is done this way doesn’t mean it can’t change.”

Engineering appealed to him as a path to become a resourceful problem solver. This is the point that Jonas was at in 2007, pursuing a graduate degree in mechatronics at Stanford and applying for The Paul & Daisy Soros Fellowships for New Americans. That same year, his mother died by suicide. “It made me ask questions about everything,” Jonas says.

He put his degree on hold to go work. He then put his job on hold. In 2012, Jonas traveled to Oaxaca, Mexico, and a chance encounter with a rug salesman led to an invitation to a Zapotec village and an introduction to a woman who shared the best chocolate he had ever tasted, and introduced him to chocolate making.

Soon enough, his experiences would become the ingredients for Firefly Chocolate. Back at home, his engineering background helped him build and modify equipment for making chocolate, being inventive with materials like pieces of pipe from a hardware store and the speed control of a vacuum.

It was a hobby at the time, he says. “It was the hobby that satiated that need for a steep learning curve,” he explains.

Still reflecting on his mother’s death, Jonas saw the need for a more holistic suicide prevention program. “When I got back from Mexico, I was exploring our society’s response—or lack of response—to suicide,” he says.

It was when the mechanics and science of chocolate making and the social aspect of preventing suicide came together that put Jonas’s vision in focus. The chocolate bars he makes—“85 percent dark, beyond fair trade, bean to bar”—are good: “pure childhood fairy dust,” in the words of one reviewer.

From Jonas’s perspective, the success of a chocolate operation is a powerful tool to conversations between people, including conversations about suicide prevention. Chocolate is so socially accepted, Jonas says, that “it becomes a gateway to begin a conversation with someone. It’s an invitation
to connect.”

Article by Mariano Castillo (2008), editor for CNN

Aspiration 

Founded by Andrei Cherny (2000 Fellow)

He was also a financial fraud prosecutor, best-selling author on technology and business, and the youngest White House speechwriter in American history. Finally, but perhaps most importantly, Andrei believes in service for the greater good and his country, which included a stint as an intelligence officer in the US Navy after 9/11.

Andrei isn’t aiming small. The total assets under management for the middle class is more than $19 trillion (not a typo) in their personal investment and retirement accounts. He believes he can build a multibillion-a year business and still do well and do good helping the middle class. I believe him.

Article by Zaw Thet (2003), founding partner of Signia Venture Partners

Solstice Initiative

 Stephanie Speirs (2015 Fellow)

National Sawdust

 Founded by Paola Prestini (1999 Fellow)

“Thy tread is on an Empire’s dust.” Byron’s words, though about the Battle of Waterloo, seem to speak directly to Paola Prestini’s own remarkable journey as a composer and “creator, educator, performer, and entrepreneur.”

From her opera Oceanic Verses, which was inspired by ancient folk songs from her native Italy, to her current endeavor, National Sawdust, a new music center transformed from a century-old sawdust factory, Paola takes past and literal dust to build the extraordinary.

In October 2015, National Sawdust, where Paola is artistic and executive director, will open its doors to the public after six years of planning, construction, and hard work. The 13,000-square-foot space, in Williamsburg, Brooklyn, will be an artistic incubator, performance space, recording studio, restaurant, and bar.

In 2009, founder Kevin Dolan chose Paola for her artistic leadership and seeded what would become National Sawdust with $8 million, which Paola helped match through extensive fund-raising. Their aim is to create a new kind of performance space.

Venues abound in New York, but National Sawdust is innovatively new and multidisciplinary. Like Paola, it wears many hats and does everything: with 12 musical groups in residence, 4 artists in residence, and 24 curators, National Sawdust will host rehearsals, performances, talks, recordings, workshops, and broadcasts.

It will also offer educational programming, commission new works, and introduce Next Steps, a mentorship program that guides young artists in creating musical careers and performances from fund-raising to production. Paola grew up on the Mexican American border with many musical influences—her father made musical instruments; her mother loved opera and Mexican folk songs, and energetically supported Paola’s decision to become a composer.

It was natural for Paola to be driven—her mother was the same way. A single mother, Paola’s mother started her own children’s

clothing business specializing in Italian fashion. Paola attended Juilliard for undergraduate and graduate study in composition and was a 1999 Paul & Daisy Soros Fellow. She remembers how important the Fellowship was to her, giving her “a lot of freedom to focus on larger dreams” by providing vital financial support, resources, and connections that helped her found Vision-IntoArt (VIA), the nonprofit, and start of her entrepreneurial pursuits, that she heads to this day.

Paola saw very little opportunity after graduate school and so created her own. Now VIA has its own label and is a significant production company for contemporary classical music. Paola advises young artists not to think of success as a leap, but rather one brick at a time, cumulative, a lifetime of trial and error, “to be true to what you want and to continue to find ways to make it possible.” For Paola, National Sawdust is just one step in a long artistic journey.

Article by Julie Zhu (2015), MFA candidate in combined media and painting at Hunter
College, CUNY

The Argan Tree

Founded by Zahir Dossa (2010 Fellow)

Between the Anti-Atlas mountains and the Sahara desert is an area of Morocco called the Sous Valley. When Zahir Dossa first visited the region many years ago, he found himself fascinated by Argania spinosa, more commonly known as the argan tree, a species endemic to Morocco.

Zahir witnessed Moroccans doing what they’ve been doing for centuries, turning the insides of the argan’s small kernels into oil

to treat their ailments and smooth their skin and hair. The process of producing the oil is onerous; it involves drying, peeling, cracking, grinding, and pressing, and can take up to five weeks.

As an expert in sustainable enterprises, Zahir began looking into the many cooperatives that he saw making and selling the oil and ended up studying them for a year. The cooperatives were a major employer for females in the region, who, Zahir said, generally had a hard time finding work, but Zahir saw a flaw in the model. Often the middlemen liaising between the women and the consumer were taking more than their fair share.

Zahir started The Argan Tree Beauty Cooperative in 2010 with 18 employees. Now he employs 60, all of whom are women. The cooperative is based in Agadir, the capital of the region, and produces a full line of beauty products which are then marketed and sold directly to American consumers online. Driven by a strong social mission, The Argan Tree returns 100 percent of the profits to its producers.

Zahir initially struggled in branding the company and turned to Andy Chen (2010) for help. Andy assisted Zahir in creating a successful brand and marketing strategy.

Currently, Zahir is completing a postdoctoral fellowship at the International Institute for Management Development Business School in Switzerland. He is also coauthoring a book on sustainable business models, and is in the process of developing other ventures. Moving forward, he hopes to continue establishing sustainable projects that contribute to international development.

The Argan Tree is not Zahir’s first startup. He started in Sudan where he cofounded an organization to distribute low-tech, inexpensive irrigation pumps to low-income farmers. Although that venture eventually failed because of the Darfur crisis and the political upheaval in Sudan, Zahir remained persistent in his pursuits to establish sustainable enterprises, which is ultimately what led him to Morocco.

Zahir credits his upbringing and immigrant experience for instilling in him the values that guide his vision today. As a Canadian American raised in Texas by parents of Indian heritage who had settled in Tanzania and then fled during the socialist regime, he understands the value of having opportunities. His goal is to give that same opportunity—to achieve whatever one desires—to as many people as possible.

Article by Amal Elbakshar (2015), JD candidate at Harvard University

Vida

Cofounded by Connie Chen (2008 Fellow)